Takeshita-Dori at Harajuku, Tokyo. We ate a ton of sweets here.Ginza, Tokyo. I liked the “San-ai Dream Center” sign because it reminded me of my name and the way I pronounce it, which is actually different from the Japanese traditional pronunciation.On weekends, the main street in Ginza is closed off and is pedestrian only. K is lounging at one of the tables in the heart of the shopping district.The theme of the trip was animals. We went to the amazing Yokohama Sea Paradise aquarium where it felt like we could practically touch the dolphins.
Hello, hello! K and I have spent a glorious time in Japan for the last 11 days, and we’re having a hard time leaving. I have so many thoughts and emotions right now and though I’m unable to organize them in a coherent way at the moment, I wanted to pop in to say hello.
I also wanted to talk about Ogden camis. For this trip, I somehow made four Ogden Camis by True Bias Patterns in two days before embarking on the plane to Narita. I originally purchased the PDF pattern and then printed it out via PDF Plotting. This turned out to be a brilliant move because I probably would have never gotten around to sewing these great little tops if I had to tape loads of sheets together.
I started with the size 12 based on the finished size dimensions, but the top was much too large and also too short for my liking. Undaunted, I traced the size 10 and the fit was much better, though I think I could go down a half size. I experimented with lengthening, ranging from 1″ to 3″ — 2″ feels like the right amount for me.
Size 12 in a Japanese fabric I received as a gift from Frances of Miss Matatabi
Version two in size 10 using a double-gauze.Here’s the backVersion three in my favorite indigo cotton with subtle vertical stripes. I lengthened this one by 3 inches.
Here’s the sad part though: I brought three of the four camis with me to Japan and I only wore one. The breezy top is perfect for the muggy weather in Japan, but I felt very exposed and a bit scandalous showing so much skin in the thronging areas amid women covered from head to toe in layers of fabric. The Japanese as a whole are a modest people and there seems to be an unspoken rule to cover your shoulders.
This fourth version was made from 1 yard of GORGEOUS linen I got on major sale from the no longer open District Fabrics in Fremont. I love how Katara stays close to me and you can see what the photo area situation is actually like here…
I wore this stripey linen version to a cat cafe in Atagawa — where my parents now live — and I felt all the Japanese cat lovers surreptitiously staring at my torso. Luckily, the kitties were incredibly adorable so the stares were short-lived. The cat cafe was one of the highlights of our trip. K and I were missing Katara and it was an unplanned way to get a dose of feline fun. I was pleased with how well-cared for the 28 (!!) cats were at the small facility. For the price of roughly $10 an hour, we played with incredibly friendly cats, fed them snacks and enjoyed a beverage ourselves (the snacks and drinks were included).
K at the cat cafe, having the time of her life.
Well, it’s time for me to wake up K so we can have our last breakfast in Japan. I want to absorb all that we’ve seen and done here in the land of the rising sun and will be updating my Patreon lovelies with all the nitty gritty behind-the-scenes stuff as I always do. I hope you’re all doing well, and I’ll be back with more sewing with some fabric goodies I got in Ginza soon!
Hello, my friends! How are you? I’m getting ready to travel to Indiana to visit relatives this weekend, and despite my best efforts, I was unable to fully execute my glorious vacation wardrobe sewing plan I had in mind. However, in the process of attempting said sewing plan, I’ve discovered a life-changing thing: PDF Plotting.
I found out about PDF Plotting through a very thorough and super helpful blog post on Sew Liberated. I bet most of you sewing mavens are already familiar with this alternative to the daunting task of printing/cutting out/taping PDF patterns, and though I’d vaguely noticed the online community mentioning copy shop printing of patterns, my hard-wired brain was slow to pick up on this amazing time saving and relatively economical option.
It’s so easy! The one thing I would advise is to double-check the dimensions of the file size in Acrobat (you hover over the lower left corner to get the file size dimensions once it’s opened in the Acrobat Reader). I made a mistake when I entered the sizing info, but the folks at PDF Plotting were very kind about pointing out my errors, and I had beautifully printed patterns on large format paper in a matter of two days from the moment I submitted the order. Magic!
I plan to order more from PDF Plotting when I get back from my midwestern vacation, and in the meantime, I’m going to see if I can crank out at least an Ogden Cami or Kate Bias Top by Sunday. The Persephone Pants will have to wait, though I really want a pair NOW.
Have you tried getting PDF patterns printed? How has your experience been?
Alright, it’s time for me to get going on some sewing! Have a wonderful weekend, everyone!
Happy Friday! If you’re in the U.S., I hope you had a Thanksgiving feast shared with loved ones! We went to watch Ralph Breaks the Internet (M and K made fun of me because I cried. I cry at every movie, regardless of genre) and capped our quiet, low key T-day at a bustling Taiwanese restaurant and it was awesome. I’m a big fan of stress-free holidays – they’re pretty rare, wouldn’t you agree?
So I finally got photos of the dolman sleeve top that I made out of the remaining fabric from the Linden top post, and this also happened to be what I wore to Thanksgiving dinner. As I move forward with my fabric destashing, my mug and awkward poses will be showing up here on the regular.
Some handy info for my future self:
Fabric: Black wool (I think), origin unknown though most likely Drygoods Design circa 2016-ish
Pattern: The “Dolman Cut-Sew” from a Japanese sewing book that no longer seems available online. According to the back cover, it’s ISBN978-4-539-05451-5, but my search hasn’t yielded anything. I posted a photo of the book on IG here.
Size: L
Modifications: Added a couple of inches to the length
The Good: I love the fabric/pattern combo. This lighter weight wool jersey (I’m guessing) is comfy to wear and cozy for this increasingly chilly weather. I usually fold the neckband and armbands/cuffs in half lengthwise (wrong sides together) and then use my serger to attach. Depending on how I feel, I might topstitch to keep the seam allowance from flipping up. I learned a new method from this book that reduced the bulk a bit because the bands were attached more like a bias binding but with a serged edge instead of folding the raw edge under, and sewing from the right side. The hem was finished with a facing sewn in a similar manner.
The Not-So-Good: Although I’m glad I added the 2 inches to the length, I think it threw the shape off a little due to the curved hems. The fit is a little weird. And I’m not sure I’m digging how the neckline is shaped. But I wore it to dinner and as with all my tops, it handily passed the all-you-can-eat buffet test.
Sometimes it takes me a few times of trying out a garment before I fall in love with it, and this might be one of those cases.
The real gem of this outfit is the lower half. I can’t tell you enough how much I love these elastic-waisted linen pants. It’s not uncommon for me to forget that I’m wearing them – they’re that comfortable. I made them this past summer when I sewed up an entire vacation wardrobe, which I never shared on the blog:
Happy Friday! I’ve had an unusually social couple of weeks with more events on the horizon, which means I can really feel the tug of my inner introvert imploring me to hibernate and recharge. Getting out and about is good for me, I must say, and last week I made a couple of Grainline Studio Linden tops that happened to match one of the events I attended this past Monday: Making Magazine’s Black & White trunk show at Drygoods Design.
You know, as someone who spends a lot of time alone squirreled away working on projects that don’t see the light of day for months on end, I often forget how scintillating it is to connect with people in real life. Online communication has its place and is a wondrous thing, but nothing beats a face-to-face conversation. I’ve been working with Carrie, Ashley, Cecily, Whitney and Lily of Making for over a year now but this was the first time we met in the flesh (ew, why does that sound so gross?). It’s such an uplifting feeling to discover that someone’s online persona perfectly matches the in-person personality. They are down-to-earth, easy to talk to, brimming with creativity and ideas and are just all-around wonderful. I had such a lovely time with them all! If you haven’t already, I highly encourage you to listen to the first episode of the Making podcast to learn more about Carrie and Ashley. They are so, so inspiring! And I’ve been shy about mentioning it, but I was interviewed a while back as well. You can find that podcast episode here.
Anyway, so caught up was I in blathering away, I forgot to snap photos, but I was excited to see that my little contribution to the Black & White issue was included in the trunk show. I made these guys:
Photo by Carrie Bostick Hoge
They’re felted animal masks! And how stunning is this magazine cover by the awe-inducing Lisa Congdon??
I also had the privilege of meeting Sonya Phillips of 100 Acts of Sewing, who was teaching a class towards the end of the trunk show and that was a major treat too. She’s the real deal, folks. There’s an abundance of joy in her creations. Another all too brief encounter was with Kristin of Woolfolk Yarn. Oh my goodness, have you seen her website and Instagram feed? Pure gorgeousness. Kristin listened to my knitting woes and sagely assured me that I was ready, that I can absolutely knit. She has such a grounded, beautiful presence. My only wish was that I could have stayed longer to chat more with everyone.
The intrepid women of Making and Jen of Grainline Studio often collaborate together so it was doubly fitting that I wore a Linden top to the event. I chose the polka dot one, of course. Other than adding 2 inches to the bodice length, I didn’t make any changes to the pattern for this version. It’s a straight up size 6. I love the Linden so much. So quick, so easy, so versatile! I’ve made a gaggle of them in the past, and I’ve gotten over my former reluctance about sewing the same pattern over and over. There’s something very comforting about a familiar pattern.
For this black wool version, I tried out Jen’s tutorial for a flat bias neckline. However, I had already cut out the neckband as per pattern instructions, not on the bias — which I don’t think should have made too much of a difference for this stretchy wool knit — and for some reason, my neckline got very wavy. I don’t mind the waviness, though I’m sort of confused by this super awkward pose in the photo. What am I doing? I included it to remind myself that I’m ridiculous in so many ways. I made a few other changes to the pattern with this version: shaved off an inch for each sleeve and slimmed the bodice by about an inch as well. And I always add at least 2 inches to the bodice of any top pattern to account for my extra long torso. This wool feels luxurious, and I’m pretty sure I got it from Drygoods but for the life of me, I can’t remember where I got the polka dot sweater knit from. I adore this black top despite the less than perfect neckline (see the wavy bits below?). Nothin’ a good scarf can’t hide. That I will knit one day.
There’s not a lot to be said for the back view, but here it is:
As long as I’m mentioning patterns that I keep sewing repeatedly, I’m wearing my 5th pair of Ginger skinny jeans that I never blogged about. The thing with these jeans is that the denim doesn’t have a lot of stretch so they aren’t my most comfortable pair. They look pretty good though, don’t you think?
And there you have it. Lindens, crafty folks, connections, repetitive sewing.
Okay! I’m doing a school presentation this afternoon and then I’ll be participating in the Ballard Art Walk at Secret Garden Books on Saturday, November 10th, so come on by if you’ve got a few spare moments from 6-8pm. I’ll have some original illustrations from my books on display and will be doing some custom illustrations too!
I’m off to prepare for these two events and then I’ll be back to my solitary schedule for a few weeks. Ahhhhhh…that sounds nice.
I hope you have a delightful weekend in every way, my friends!
Happy Friday! Halloween twenty-eighteen was a good one. A very good one. K hosted a little pre-trick-or-treating gathering at our house for a group of her friends and much jollyness ensued.
See that lumpy tunic that human-as-cat K is wearing? I made that. Despite swearing up and down that I wasn’t going to make a Halloween costume this year, I found myself cutting out fabric two days before Hallow’s Eve.
The reason I was anti-handmade costume is because I finally learned from previous years that I always have deadlines during the last week of October and I can’t seem to get my act together enough to have my work done in time to stitch up a proper costume.
Feeling very comfortable with my decision, I asked K what she wanted to be for Halloween. “A cat,” came the obvious answer. So I went to Goodwill and found a cute headband with ears for a dollar and figured I was done. All she would need is a black top and leggings, I reasoned. K was aghast when she heard about my Halloween costume suggestion. “Will you at least buy me a costume that’s furry?”
So back to Goodwill I went, but came up empty. Then I went to Fred Meyer’s, the Target-like PNW store that’s a mecca for cheap costumes during this season. Again, nothing. I went to the local consignment store. Nada. There were a ton of unicorns and Marvel comic characters and a few princess outfits and capes, but nowhere could I find a furry, fluffy, feline-esque costume (I should note that I couldn’t find one in her size or one that wasn’t of the sexy variety).
I got home after my unsuccessful shopping attempts and there, in one of my fabric baskets nestled a decent amount of black and light grey minky fabric pieces looking oh-so-fluffy. I sighed.
It took me 2 1/2 hours to trace one of K’s tops, cut out the pieces, shape a tail, attach the light grey oval for the belly and sew the whole thing up. Turned out to be roughly the same amount of time I spent scouring the various stores. It was meant to be, because I had just enough of the the black fabric. Oh, the sleeves were a little too tight initially so I had to add some funky gussets with knit fabric, but that didn’t take too long and looked discreet (should have gotten a photo!).
K LOVED the costume and practically skipped to school in it (we took these photos the day before Halloween and for the actual day, I upgraded the felt nose and painted a nose and whiskers with make-up). Even though I was a Halloween grinch at first, I’m now so glad I took the time to make this wonky little costume. Both my sweet K’s agree:
And hey, I was able to meet my deadlines so it all worked out.
Do you feel it in the air too? The holiday season is looming large and the upcoming weeks are already starting to look full and festive. Speaking of festive, I’ll be at Drygoods Design on Monday, November 5th with the Making Magazine lovelies if you’re in the ‘hood! 5-7pm! With the extraordinary Sonya Phillips and Woolfolk Yarn!!
I’m off to go relax! Have a wonderful weekend, friends!!