{"id":9453,"date":"2014-04-10T05:00:59","date_gmt":"2014-04-10T12:00:59","guid":{"rendered":"http:\/\/sanaeishida.com\/?p=9453"},"modified":"2014-04-09T21:05:36","modified_gmt":"2014-04-10T04:05:36","slug":"the-joy-of-seeing","status":"publish","type":"post","link":"https:\/\/sanaeishida.com\/?p=9453","title":{"rendered":"The Joy of Seeing"},"content":{"rendered":"

\"sketch1\"<\/a><\/p>\n

I was sketching randomly today (sort of my version of a warm-up for the final phase of book illustrating, which is like a creative workout) and remembered when a friend asked me whether I’m researching other children’s book illustrators, and I told her that I purposely avoid it. Instead, I look for inspiration in other forms: traditional museum paintings, clothing designs and colors, old school album art, retail store advertisements, interior design, nature, everything. A lot of it has to do with a deep fear of copying. Although I know that original ideas are a rarity and that it’s almost impossible to truly replicate others’ work, I still don’t want to feel like I’m inadvertently taking on someone else’s style.<\/p>\n

\"sketch2\"<\/a><\/p>\n

I realized, though, that I wasn’t being entirely accurate. I’ve always been thoroughly enamored with children’s books, and I’m certain that my favorite illustrator’s techniques and aesthetics have unconsciously seeped into my own creations over the years. I may not have actively looked to my heroes in the illustration world while I’ve been developing my own artwork, but they’re all there as part of me, resting and clustered on my shoulder like miniature art teachers.<\/p>\n

I stumbled across this book<\/a> by one of my all-time favorite illustrators, Lisbeth Zwerger, and these words pretty much sum up what I was trying to tell my friend and how I try to see the world:<\/p>\n

The Joy of Seeing<\/strong><\/p>\n

Joy comes from seeing the beautiful<\/em>.<\/strong>
\nA scarf, sweeping from the neck. A puffedout skirt with mysterious
\ndraping. A wallpaper with an intricate pattern. Hats and furniture,
\nstatues and inscriptions, graceful figures and dainty shoes.<\/p>\n

Joy also comes from seeing the demonic, the ugly.<\/strong><\/em>
\nA man whose body looks like a fly. A fearsome witch. A ghost
\nholding his head in his hands. A black spectre.<\/p>\n

Joy comes from seeing the fantastic.<\/strong>
\nMr. Knife and\u00a0Mrs. Fork, with blade and prong growing out of their heads. A
\ndancing camel. A boy climbing into a picture. A fish flying through\u00a0the air.<\/p>\n

Joy comes from the humorous<\/em>.
\n<\/strong>A mouse wearing a woolen cover around its long, thin tail. A little
\nman with a pillow on his head. A donkey and some scholars
\nwearing the same spectacles. Maids lifting their skirts to hide
\ntheir kissing princess.<\/p>\n

Joy with the eyes emerges from stories<\/em>.<\/strong><\/p>\n

– Lisbeth Zwerger, from\u00a0The Art of Lisbeth Zwerger<\/em><\/p>\n

 <\/p><\/blockquote>\n

\"lisbeth-zwerger\"<\/a><\/p>\n

This is a quick sketch I made of Lisbeth Zwerger – portraiture is not my strong suit! This also reminded me of the famous\u00a0experiment with Joshua Bell<\/a>\u00a0– have you heard of it? It blew me away, and\u00a0the part that affected me most was about the kids. There’s also a youtube video here<\/a>. When do we lose the capacity to pay attention?<\/p>\n

P.S. I’m working on an outfit for myself that I’ll try to share tomorrow!<\/p>\n","protected":false},"excerpt":{"rendered":"

I was sketching randomly today (sort of my version of a warm-up for the final phase of book illustrating, which is like a creative workout) and remembered when a friend asked me whether I’m researching other children’s book illustrators, and I told her that I purposely avoid it. Instead, I look for inspiration in other forms: traditional museum paintings, clothing designs and colors, old school album art, retail store advertisements, interior design, nature, everything. A lot of it has to do with a deep fear of copying. Although I know that original ideas are a rarity and that it’s almost impossible to truly replicate others’ work, I still don’t want to feel like I’m inadvertently taking on someone else’s style. I realized, though, that I wasn’t being entirely accurate. I’ve always been thoroughly enamored with children’s books, and I’m certain that my favorite illustrator’s techniques and aesthetics have unconsciously seeped into my own creations over the years. I may not have actively looked to my heroes in the illustration world while I’ve been developing my own artwork, but they’re all there as part of me, resting and clustered on my shoulder like miniature art teachers. I stumbled across this book by one of my all-time favorite illustrators, Lisbeth Zwerger, and these words pretty much sum up what I was trying to tell my friend and how I try to see the world: The Joy of Seeing Joy comes from seeing the beautiful. A scarf, sweeping from the neck. A puffedout skirt with mysterious draping. A wallpaper with an intricate pattern. Hats and furniture, statues and inscriptions, graceful figures and dainty shoes. Joy also comes from seeing the demonic, the ugly. A man whose body looks like a fly. A fearsome witch. A ghost holding his head in his hands. A black spectre. Joy comes from seeing the fantastic. Mr. Knife and\u00a0Mrs. Fork, with blade and prong growing out of their heads. A dancing camel. A boy climbing into a picture. A fish flying through\u00a0the air. Joy comes from the humorous. A mouse wearing a woolen cover around its long, thin tail. A little man with a pillow on his head. A donkey and some scholars wearing the same spectacles. Maids lifting their skirts to hide their kissing princess. Joy with the eyes emerges from stories. – Lisbeth Zwerger, from\u00a0The Art of Lisbeth Zwerger   This is a quick sketch I made of Lisbeth Zwerger – portraiture is not my strong suit! This also reminded me of the famous\u00a0experiment with Joshua Bell\u00a0– have you heard of it? It blew me away, and\u00a0the part that affected me most was about the kids. There’s also a youtube video here. When do we lose the capacity to pay attention? P.S. I’m working on an outfit for myself that I’ll try to share tomorrow!<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6,12],"tags":[],"class_list":{"0":"post-9453","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-black-and-white","7":"category-illustration","8":"entry","9":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/sanaeishida.com\/index.php?rest_route=\/wp\/v2\/posts\/9453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sanaeishida.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sanaeishida.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sanaeishida.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sanaeishida.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9453"}],"version-history":[{"count":14,"href":"https:\/\/sanaeishida.com\/index.php?rest_route=\/wp\/v2\/posts\/9453\/revisions"}],"predecessor-version":[{"id":9471,"href":"https:\/\/sanaeishida.com\/index.php?rest_route=\/wp\/v2\/posts\/9453\/revisions\/9471"}],"wp:attachment":[{"href":"https:\/\/sanaeishida.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sanaeishida.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sanaeishida.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}