Happy Friday + Randomness

little-k-covers

It’s been quiet around here, which means things are bustling in the background. I have much to share, but one of the highlights of last week was a Little Kunoichi event. It was my last scheduled event and was held at a beautiful Japanese gift shop/gallery called KOBO. There may be some more events in the future, but that particular book reading capped what I considered the launch season. My book has been out for almost five months, can you believe it? I just found out that someone’s seen it in Madagascar!!! What??

At any rate, I’ve learned some notable tidbits from doing these events:

1. I am the worst promoter ever – I actually ran into some friends right before the event and didn’t even invite them because I was so timid about it. I’ve been tsk-tsking myself for days.

2. And when you don’t promote your own events, not many people show up (average number of attendees: 5, not including my own family members). Cozy and intimate events, these are. I was all gung ho and invited everyone and their distant second cousins to the launch party back in May, and about 100 people showed up for that event — just goes to show you that I can do it if I set my mind to it.

3. And when not many people show up, you don’t sell very many books.

I’m going to have to work on this. I’m much more comfortable in front of people now, which has been a lovely side bonus from the series of book readings I’ve done, and I’ve really beefed up my illustrating-on-the-fly skills (I offered custom illos for some of the events). I can whip up a watercolor dolphin in five minutes flat. I really love creating little paintings, especially for kids.

I’ve also been including a fun presentation about how the book came to fruition, and the part that seems to make people perk up is the cover options we went through. I’ve collaged together the versions that I presented up there, and the one of the lower left corner was the winner, but with a caveat: the colors needed to be brighter. The background and ninja uniform then went through various hue iterations, and it was fascinating to see the business side of developing a cover. It is, despite the general pleas to never judge a book by its cover, the most important element. Everyone took it very seriously. Which is pretty funny when talking about ninja girls and pet bunnies.

Alright, must go focus on the elusive sorcery that is book-making. Will be back some time next week!!

How do these weeks zoom?
Could’ve sworn it was Monday
but no, weekend time…

Happy Friday, and happy weekend to all!

 

Happy Friday + Randomness

stickers-for-you

Happy Friday! A truly random bit of info: almost every Sunday, M has what we call “DDT” or Daddy Daughter Time. He started this tradition when K was about a year old, and takes her out on a date each week. Their time together ranges in activity: bike riding or a scoop of ice cream or just lounging around. It’s a win-win all around because while they bond, I get to sneak in some extra work (or fun) time. And almost every Sunday, I go to the same coffee shop and every once in a while, there is a little girl enjoying her own DDT. She’s about three-years-old with big sparkly eyes and a little bob, and she goes around handing out stickers to all the cafe patrons. I’ve gotten about six stickers to date and I stick them in my journal. So charming.

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K is super into making jokes and we thought this was a keeper:

Q: Why are singers always in charge of fights?

A: Because they have the opera hand.

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Have a wonderful weekend, friends!

There’s no school next week
Thanksgiving is upon us
We might eat Chinese*

*A few years ago, we went to a Chinese restaurant for turkey day because I didn’t have any time to cook anything (and we have no family in Seattle), and it turned out to be surprisingly festive and fun. We just may have a repeat performance since I’m in deadline mode…

 

 

Children’s Book Process (My Version) + Time Off

lk-reject-cover

This is a portion of one of the cover options for my children’s book that’s coming out next April. Things are still getting tweaked and finalized so I’ll wait a while to reveal more of the actual book — it’s funny, it takes such a long time for a book to get published, many of the aspects start to get hazy for me. The final cover ended up looking very different from what you see above, but this was my favorite concept I presented. Although I was gung ho about this design, I do love how the final version turned out.

At this point, I’ve submitted pretty much all of my illustrations and today, I thought I would share the process I went through from the beginning to now. Mostly it’s because I’m already forgetting details (I had to refer back to a lot of documents and correspondences for this post) and it would be a helpful reference for me. I should point out that my experience may not be typical; I don’t have an agent and I worked on both the story and illustrations, something that is not de rigueur in the children’s book publishing world from what I understand. I assume the structure and sequence of events are a little different with every book, and the one I’m working on now is proving to be a completely different process.

The progression from a seedling idea to completed manuscript/art was incredibly enjoyable throughout. My editor is so sweet, and I particularly appreciated that she sent me a little care package filled with teas and chocolates for extra fortification during one of the deadline periods. I love small gestures of considerateness like that.

It’s rather text heavy today – I tried to create illustrations on the train back to Seattle, but the swaying resulted in motion sickness so I had to stop. So here’s how it’s been shaking out for me, for the children’s book:

Step 1: August + September 2013 // Brainstorm of ideas

I mentioned my serendipitous encounter with my editor before, and after a brief initial meeting with her, I took some time and came up with about fifteen book concepts with a short description for each idea. It turned out that my top choice was also her top choice, so that part was easy.

Step 2: October + November 2013 // The Storyboard + Proposal

Since this would be my first book, my editor encouraged me to create a storyboard to give the publisher a better sense of the storyline/flow of images. I was provided the layout and number of pages for the storyboard, so it was essentially drawing and writing out the entire book in miniature form. Once I completed the storyboard along with color illustration examples, my editor took it to her team to pitch the book.

Step 3: December 2013 // The Book Deal

Fortuitously, the book proposal was quickly accepted and I then negotiated terms, which included the advance payment amount, royalty percentages, the deadlines (how long it would take me to complete the book and milestone dates), and design elements such as size of book, whether I wanted a dust jacket, type of paper, etc. I agreed to complete the book in six months and it was just the right amount of time. This is the part that an agent would usually handle.

The contract was drafted and sent to me. Once a contract is signed though, it takes a while for the check to be issued. It was about a month after signing the contract that I received the first half of the advance. The second half is issued upon completion of the book.

Step 4: February + March 2014 // Cover Art Sketches + Detailed Sketches + Manuscript

I designed six different cover options for review. These went through a round of revisions, and I believe I ended up creating about 10 cover versions total. Since the cover gets included in catalogs for book buyers, it needs to be dealt with upfront. It isn’t set in stone at this stage, and ultimately we changed the cover a lot.

I also needed to provide detailed sketches of the rest of the book in full size for approval. The first couple of months are usually spent on developing the storyboard and the detailed sketches, but since I’d already done the storyboard — which was approved with little changes — this step was pretty effortless. I leisurely worked on the sketches over a two-week period. I also finalized the text with my editor, though we continued to fiddle with it for months.

Step 5: May + June 2014 // Final Art

Based on the detailed sketches that were approved, it was now time for me to work on the final art. I had created all my sketches digitally, but I hand-painted the final illustrations. I LOVED this part. It was so gratifying to watch the images come to life from the greyscale sketches. This portion took me about three weeks. Because my book is quite small, the illustration phase was pretty quick. Had the book been larger in dimension, I would have needed to spend more time on the art.

Step 6: July + August 2014 // Revisions/Updates/Miscellaneous illustrations

This is the phase I’m currently in. Everything has been submitted except for the back cover art, but I’m waiting on specifications for that. I’ve received the final cover mock-up from the design department (with my name in the lower right corner!! So exciting!) and am waiting for the rest of the book with text formatted from the design department so I can go over it with a fine tooth comb. I’ve also painted illustrations for endpapers (the section that is glued to the inner part of the cover), title page, and dedication segment.

Step 7: September 2014 // Book Goes to Print!

Hooray!

Step 8: April 2015 // Available for Sale

I’m a little fuzzy on what happens between printing the book and making it available for sale, but these are the dates in the calendar for now.

Wow. 19 months from idea to public release. For someone used to hitting a button for instant publishing, it sounds inconceivably long. But almost there!! Sort of. Thrilling nonetheless.

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I’m in the throes of book #2, and although I’ve done my level best to keep up with everything going on and sort of managing, I’ve had to sit myself down and (yet again) give myself a stern talking to about my tendency to go overboard. Did you know that I was trying to launch an etsy shop too? I thought it would be cute to open it on K’s birthday, July 30th. Yep, that’s tomorrow. Let’s all laugh together about that one. I’m starting to feel familiar symptoms of my illness again, and it’s entirely my fault. In order to remain on schedule for the book and to keep excessive stress at bay, I’m so bummed but I’m going to have to take some time off from this here blog that I love to work on so much. My attention feels too divided and I need all the focus I can get…I’m letting go of a lot of stuff. For example, we’ll be celebrating K’s 8th birthday tomorrow but there may be no Macgyver dress (super sad face here) and the cupcakes will be store-bought (secretly happy face here since my handmade cupcakes aren’t always winners). I hope to be back Monday, August 11th with a fun post — maybe, just maybe, if I make some serious headway this week, I’ll be back next Monday. Either way, I’ll miss you!

 

 

Me-Made-May 2014

handmade-wardrobe

I started sewing clothes for myself on a fairly regular basis last May. It’s been almost a full year, and I’ve made loads of clothes. Back then, I held a secret aspiration to participate in Me-Made-May in a year’s time, and now that event is starting tomorrow! I think I’m ready, and I just signed up. So excited. I’ve been wanting to participate for years.

I’ve noticed that on many sewing blogs, folks often talk about how they constantly make these beautiful clothes that just never get worn because they’re just not everyday appropriate or don’t actually mesh with their style or they don’t work with other items in the closet. When I first dabbled in stitching my own clothes back in 2008 or so, I found myself making fancy dress after fancy dress even though I hated wearing dresses (I now love them, but you know what I mean). I stopped sewing for myself when I went back to work shortly before 2009 and didn’t pick it up again until last year. This time around, I was determined to sew practical clothes. Funnily enough, even though I think I’ve been pretty good about staying true to my own personal style and focusing on “wearable” items, I still bypass a vast majority of the clothes that I make when morning rolls around. It’s perplexing.

When I posted the jacket that I adore so much earlier this week, I realized that I don’t feel that deep love for too many of the clothes I make. And because I can just power up my sewing machine and make something shiny and new and crow about the skills I’ve developed or the stash-busing I’m accomplishing, I haven’t been really thinking too deeply about how best to build a collection of clothing that truly works for my body, my lifestyle, and my aesthetics. Addressing these types of issues that often crop up with creating your own clothes, the always instructional and insightful Coletterie put forth the Wardrobe Architect series.

I have a feeling that the Wardrobe Architect brilliance combined with the practice of wearing my handmade clothes daily through Me-Made-May will help me focus and allow me to better navigate the still foggy terrain of creating a wardrobe that I love.  To get a better sense of all the clothes I’ve slaved over in the last year, I painted each item, and whoa, I made 46 in total (not counting the infinity scarf). I obviously can’t seem to stay away from the colors blue and grey, which isn’t really a problem for me, but seeing them all together like this makes me want to explore a broader range of colors…

I have more thoughts on this as I’ve been mulling over this for a while, but for now I promise not to bombard you with photos of myself in my handmade wardrobe day in and day out this upcoming month.

Happy Friday + Randomness

bluejay

Happy Friday! Last week, I found a note K had written, crumpled and forgotten in a corner. I love it to pieces and its sweetness bowls me over. It inspired me to digitally paint a bluejay, but I think her rendition is about a jillion times better:

bluejay2

*That last line is “I can hear my neighbor playing music” – gah, it kills me.

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Have a spectacular weekend, friends! Yesterday was the first day of spring. Can you believe it?

O cherry blossoms
flittering amid the winds
a carpet of pink